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The only thing she said is that she won’t let us shoot in our bedroom. Even when we were making Kumbalangi Nights, she would talk to the team more. There’s no constant checking on what the other person is doing but we are together in this. She gives me the push to go out and do it. If there is no support at home, I don’t think I can do any of these things.
#Fahad fazasil kumbalangi nights professional#
What professional dynamics do you share?įahadh Faasil: She’s the strength behind what I’m doing. You produced the film with your actor-wife Nazriya Nazim. We didn’t want to make it look like we were working, we just wanted to have fun. We were given a proper script, attended a three-day workshop, lived in one building and met in the evenings. However, lockdown is the reason it got made, otherwise, none of us stays at home for so long. If I were to shoot this film when there’s no lockdown, I’d have done it in the same way. One can play around, explore different techniques, and redesign a film on the edit table – go closer to a character or make another character more prominent. During the lockdown, Mahesh, who stays a block away from my building, and I started talking about new possibilities in cinema. It was disturbing and stayed with me for a long time. He gave me the shivers with some of his facial expressions/head turns.Fahadh Faasil: Two years ago, (editor-director) Mahesh Narayanan had come across a confession video of a trafficked Malayali girl in Saudi Arabia where she was crying for help. Thee was palpable tension during the interactions between the female leads and him. To each their own, but, there is some defect in the approach of people who can't appreciate this movie. There were many instances of humour in the film and the audience LOL throughout those scenes.Thanks for the review. This was the first day of rls here in the east coast US and the theater was about 95% full. There were many instances of humour in the film and the audience LOL throughout those scenes.Īnyway the audience really enjoyed it. But its even greater here with Kumbalangi.Īnyway the audience really enjoyed it. I think even Mayanadhi had a similar effect on me. The film brings out a little melancholy in me. the film reminds me of my own dysfunctional family. But I don't think I can rewatch this film again maybe a 2nd or 3rd time. It just breaks so many cliches seen in mainstream Mal cinema. In that sense Madhu C Narayanan and Shyam Pushkaran has achieved great success in this genre. Its the type of film that I'm sure people like Shyamaprasad or even Ranjith tried to make in the past. Fahad's character Shammy was truly scary and in some instances it felt like watching a horror film. lovers thammil united aguvo ileyo nu kanikanallo.
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Avide oru sthiram kanune storyline il poyee but onnude alojikumbo. But the second half turns plot-driven and the story reaches a conclusion on Bobby and Baby Mol's relationship. I think Syam Pushkaran maybe oru 2nd National award adichekam. Orupadu multiple layers ulla film thaneya. Other characters like Simmy, Prasanth, Nylah and Sathi stay in ur mind even after the film is over. The other actors performed very good as well.
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Soubin, Shane, and Fahad all acted exceptionally. It breaks so many cliches that we are used to seeing in conventional mal films of the 90s and the 00s. international level range ulla oru making anu.
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Endho interviw il oru reporter parange pole. the unique set up and the dysfunctional family reminded me of that. Oru Wes Anderson film endho kanda pole thonni.